You know you are a 21st century school librarian if . . .

You know you are a 21st century school librarian if . . .

Reading

● You consider new ways to promote reading. You are piloting/supplying learners with downloadable audio books,Playaways, Kindles, iPads, Nooks.

● You share ebook apps with students for their iPhones, droids, and iPads and other mobile devices (Check out Gale’s AccessMyLibrary, School Edition)

● You market, and your students share, books using social networking tools likeShelfariGoodReads, orLibraryThing.

● Your students blog or tweet or network in some way about what they are reading

● Your desktop screensavers promote great reads, not Dell or Apple or HP.

● You link to available free ebook collections using such tools asGoogle Books,International Children’s Digital Library (See ebook pathfinder.)

● You review and promote books in your own blogs and wikis and other websites. (AlsoReading2.0 andBookLeads Wiki for book promotion ideas)

● You embed ebooks on your websites to encourage reading and support learning

● You work together with learners to create and share digital booktalks or book trailers.

Information Landscape

● You know that searching various areas of the Web requires a variety of search tools. You are the information expert in your building. You are the search expert in your building. You share an every growing and shiftingarray of search tools that reach into blogs and wikis and Twitter and images andmedia and scholarly content.

● You open your students to evolving strategies for collecting and evaluating information. You teach about tags, and hashtags, and feeds, and real-time searches and sources, as well as the traditional database approaches you learned way back in library school.

● You organize the Web for learners. You have the skills to create a blog or website or wiki or portal of some other type to pull together resources to meet the specific information needs of your learning community.

● You make sure your learners and teachers can (physically & intellectually) access developmentally and curricularlydatabases, portals, websites, blogs, videos, and other media.

● Your presence reflects your personal voice. It includes your advice and your instruction, as well as your links. You make learning an engaging and colorful hybrid experience.

● You think of your web presence as a knowledge management tool for your entire school. It includes student-produced instruction and archived (celebrated) student work, handouts, policies, andcollaboratively built pathfindersto support learning and research in all learning arenas. (Checkout Pathfinder Swap for examples.)

● You help learners put together their own personal information portals and Knowledge Building Centers to support their research and learning, using widgets, embedded media, andpersonal information portals like iGoogle,PageFlakes ,andNetVibes and wikis and Google Sites.

● You intervene in the research process online while respecting young people’s need for privacy.

● You work with learners to exploit push information technologies like RSS feeds and tags and saved databases and search engine searches relevant to their information needs.

● Your own feeds are rich with learning content, evidence of your networking. You embed dynamicwidgets(including your own database widgets) wherever students live, work, and play.

● You integrate dynamic interactive features in your library’s website–Google calendars, RSS feeds,deliciousbookmarks, Flickr photo galleries, online presentations, blogs, surveys, polls, as ways to interact with and teach students.

Communication and publishing and storytelling

● You know that communication is the end-product of research and you teach learners how to communicate and participate creatively and engagingly. You consider new interactive and engaging communication tools for student projects.

● Include and collaborate with your learners. You let them in. You fill your physical and virtual space with student work, student contributions—their video productions, their original music, their art.

● Know and celebrate that students can now publish their written work digitally. (See these pathfinders: Digital PublishingDigital Storytelling)

Collection Development

● You expand your notion of collection.

● You no longer strive for the standard catalog, long-tail, just-in-case approach. In tight times, with shared catalogs and easy online purchasing, a just-in-time approach is far more effective. You build your own collection collaboratively, with an understanding of the strengths and weaknesses of the available collections around you.

● Collection should include: ebooks, audiobooks, open source software, streaming media, flash drives, digital video cameras, laptops, tripods, RSS feeds, and much more! And we should seek effective, federated approaches to ensure these diverse formats and platforms are equally and seamlessly accessible.

● You involve your community in collection building using interactive polls and web-based suggestion forms.

● You understand that library is not just a place to get stuff, it is a place to make stuff, collaborate on and share stuff. Not a grocery store, but a kitchen!

● Your collection–on- and offline–includes student work. You use digital publishing tools to help students share and celebrate their written and artistic work.

Facilities, your physical space

● You know your physical space is about books and way more than books. Your space is a libratory. You welcome, and create space for, media production—podcasting, video production, storytelling–producing and presenting.

● You welcome and host telecommunications events and group gathering for planning and research and social networking.

● You cope with ubiquity. No, you learn to love it. Ubiquity changes everything. In one-to-one schools, students may visit the library less frequently. In such environments, in all modern, truly relevant environments, library must also be ubiquitous. Library MUST be everywhere. Librarians must teach everywhere, in and outside of the library.

● You realize you will often have to partner and teach in classroom teachers’ classrooms. One-to-one classrooms change your teaching logistics. You teach virtually. You are available across the school via email and chat.

● You know that laptops can actually walk back to the library for its space and additional resources in all formats.

Access , Equity, Advocacy

● You are concerned about a new digital divide: those who can effectively find quality information in all media formats, and those who cannot.

● You are concerned about a new digital divide: those who have access to the new tools for creation and publishing and those who do not.

● You consider just-in-time, just-for-me learning as your responsibility and are proud that you own real estate your students’ desktops and mobile devices 24/7.

● You grapple with issues of equity. You provideopen source alternatives to students and teachers who need them. You lend flash sticks and laptops and cameras and . . . You ensure your students can easily get to the stuff they most need by using kid-friendly terms and by creatingpathfinders.

● You ensure that all students have access to readings appropriate for their differentiated needs and offer books in a variety of formats.

● You know that one-to-one classrooms will change your teaching logistics. You realize you will often have to partner and teach in classroom teachers’ classrooms. You will teach virtually. You will be available across and outside the school via email and chat.

● You don’t stop at “no.” You fight for the rights of students to have and use the tools they need. This is an equity issue. Access to the new tools is an intellectual freedom issue.

Audience and collaboration

● You recognize that the work your students create has audience and that they may share newly constructed knowledge globally on powerful networks,. You help them see that they have the potential to make social, cultural, and political impact.

● You recognize that learners may share their ideas and participate in dialogs beyond the walls of the library or classroom.

● You exploit the cloud as a strategy for student collaboration, sharing and publishing.

● You share with students their responsibilities for participating in social networks.

● You see teleconferencing tools like Skype as ways to open your library to authors, experts, book discussion, debates, and more. Consider starting by examining Skype an Author Network.

● You use new tools for collaboration. Your students create together, They synthesize information, enhance their writing through peer review and negotiate content in blogs and wikis and using tools like GoogleDocs,Flickr,Voicethread,Animoto and a variety of otherwriting ormind mapping and storytelling tools.

● You help students create their own networks for learning and extracurricular activities.

CopyrightCopyleft and Information Ethics

● You teach students to care about their own digital footprints–and monitor them using people search tools.

● You encourage students to develop academic–NOT invisible–digital footprints.

● You teach students about norms for appropriate behavior in wikis and blogs.

● You model respect for intellectual property in a world of shift and change. You encourage and guide documentation for media in all formats.

● You lead students to Web-based citation generators and note-taking tools to guide them in these efforts.

● You recognize and lead students and teachers to the growing number ofcopyright-friendly or copyleft portals.

● You understand Creative Commons licensing and you are spreading its gospel.

● You encourage learners to apply Creative Commons licenses to their own creations.

● You are revising and expanding your notion of Fair Use in line with theCode of Best Practices in Fair Use for Media LiteracyEducation .

● You say “yes” a lot more. You know that in their creative remixes and mash-ups, students may use the copyrighted works of others in their own work without asking permission under certain conditions. You are discussing transformativeness with students and faculty. (SeeThe Cost of Copyright Confusion for Media Literacy andFairuseandtransformativeness: Itmayshakeyourworld)

● You use a tool for reasoning whether a proposed use is Fair Use. (Tool for reasoning Fair Use.pdf)

You ask students to ask these two questions when they are using the copyrighted work of others in their own media:

1. Did the unlicensed use transform the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original?

2. Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?

(From theCode of Best Practices in Fair Use for Media Literacy Education)

New Technology Tools

● You consider iPods and iPhones and iPads learning tools and storage devices and reference sources. You know that when you interrupt a student she might be in the middle of a chapter, recording a podcast, transferring data, taking audio notes. You establish classroom or library academic guidelines and norms for their use during the school day.

● You know this is only the beginning of social networking. Students will get to their Facebook accounts through proxy servers and their mobile devices despite any efforts to block them. You plan educationally meaningful ways to incorporate student excitement (and your own) for social networking. You establish classroom or library academic guidelines and norms for their use during the school day.

● You consider your role as info-technology scout. You look to make “learning sense” of the authentic new information and communication tools used in business and academics. You figure out how to use them thoughtfully and you help classroom teachers use them with their classes.

 

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